It Don’t Mean a Thing if it Ain’t Got That Swing: Music Hall’s Greystone Ballroom 1928-1935
by Thea Tjepkema For more than 140 years Music Hall has been considered the epicenter of Cincinnati’s orchestral and choral … Read More
- HOME
- TOURS
- EVENTS
- EDUCATE
- HISTORY
- Cincinnati Music Hall Timeline
- Expositions in Cincinnati and at Music Hall
- Under One Roof:
The African American Experience in Music Hall - Choral Tradition in Cincinnati
- College of Music
- The Architectural Style of Cincinnati Music Hall
- Special Features of Music Hall
- Music Hall’s Organs
- People of Music Hall
- Renovations, Remodels and Redecorations
- Harper’s Weekly
- ABOUT
- STORIES & BLOGS
- Children’s Voices: The Legacy of Charles Aiken in Public Schools, Music Hall, and the City that Sings
- Home Sweet Home and the Home Beautiful Expositions
- Nadine Roberts Waters: La Cantatrice de Cincinnati
- Calling All Music Hall Fans! Here are Some of the Many Discoveries You Can Make During an Outdoor Tour
- Following in my Grandfather’s Footsteps in Service to Music Hall
- Music Hall’s Part in Ted Berry’s Fight for Social Justice
- Estella Rowe & Wade Mann:
First Local Black Soloists with the CSO - Presidents, Future and Former, Visited Music Hall
- It Don’t Mean a Thing if it Ain’t Got That Swing: Music Hall’s Greystone Ballroom 1928-1935
- Mamie Smith: Queen of the Blues in Cincinnati Music Hall
- Fountain Lewis: The Venerable Barber Who Helped Build Cincinnati Music Hall
- The Presence of Latine and Hispanic Performers on the Cincinnati Music Hall Stage
- Susan B. Anthony & Suffragists Spirits in Music Hall: Three National Political Conventions
territorial bands