the Main Chamber: 16′ Bourdons, 8′ Flute, with Diapason behind, and the expression shades on the right.
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The African American Experience in Music Hall - Choral Tradition in Cincinnati
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- HELEN WALKER KING: “Cincinnati’s Soloist” – A Black Voice for Change Through Music
- EUGÈNE YSAŸE: Legendary Violin Virtuoso, Conductor, Composer, and Music Director of the CSO (1918-1922) and May Festival (1918, 1920)
- Adolph Krebs and the Art of Lithography: Cincinnati Music Hall’s Industrial Exposition Posters
- Children’s Voices: The Legacy of Charles Aiken in Public Schools, Music Hall, and the City that Sings
- Home Sweet Home and the Home Beautiful Expositions
- Nadine Roberts Waters: La Cantatrice de Cincinnati
- Calling All Music Hall Fans! Here are Some of the Many Discoveries You Can Make During an Outdoor Tour
- Following in my Grandfather’s Footsteps in Service to Music Hall
- Music Hall’s Part in Ted Berry’s Fight for Social Justice
- Estella Rowe & Wade Mann:
First Local Black Soloists with the CSO - Presidents, Future and Former, Visited Music Hall
- It Don’t Mean a Thing if it Ain’t Got That Swing: Music Hall’s Greystone Ballroom 1928-1935
- Mamie Smith: Queen of the Blues in Cincinnati Music Hall
- Fountain Lewis: The Venerable Barber Who Helped Build Cincinnati Music Hall
- The Presence of Latine and Hispanic Performers on the Cincinnati Music Hall Stage
- Susan B. Anthony & Suffragists Spirits in Music Hall: Three National Political Conventions
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